Gross-out: a celebration of Weimar-era paedos and other deviants by the anti-German, Zionist Bastardstate

I can’t believe that any journalist would find descriptions of this stuff cool and groovy, a subject worthy of nostalgia… After all, aren’t there initiatives right now to stamp out paedophile sex tourism in the Third World?

Anyway, the descriptions of Weimar life in this article are additional evidence, to me, that homosexuality and paedophilia are linked - there’s not much of a gulf between ‘man love’ and ‘boy love’…

See also Noam Chomsky as a Jewish Supremacist here.

300 SPARTANS: Best Movie Scenes

“Rire de rat”, le premier opéra sur l’Holocauste, en Roumanie

Lu sur le site de “Roumanie.com”, juin 2008:
Continue reading “Rire de rat”, le premier opéra sur l’Holocauste, en Roumanie…

German artists [kooks] live with lice in Israeli museum

Only the Zionist, anti-German BRD can produce such freaks. I wish that they would just put a bullet in their heads and leave the rest of us alone.

German artists live with lice in Israeli museum.

Perhaps the BRD “artists” should incorporate Zyklon-B into their “art.” It was used effectively as a disinfectant at Auschwitz and other wartime internment centers to prevent disease and death, permitting millions of Jews to become “$urvivor$” (”show me the money!”) and go on the postwar lecture circuit!

Diseased Jewess Denies that her Art Project is Fiction [Jews are not normal people!]

What did Hitler think of jewish “art,” again? Can someone please point out where Hitler was wrong about the jews?

Fucked up Jewess (Jews, like women, tend to be masochistic and neurotic…now, imagine a what a Jewess must be like) has spoken to the Yale Daily News and is denying claims from her own University that her self-induced miscarriages as an art piece is an elaborate prank.

Here are some of the LOWlights from her rebuttal:

- Shvarts stood by her project, calling the University’s statement “ultimately inaccurate.”

- But Shvarts reiterated Thursday that she repeatedly used a needleless syringe to insert semen into herself. At the end of her menstrual cycle, she took abortifacient herbs to induce bleeding, she said. She said she does not know whether or not she was ever pregnant.

- “No one can say with 100-percent certainty that anything in the piece did or did not happen,” Shvarts said, “because the nature of the piece is that it did not consist of certainties.”

- Shvarts showed the News footage from tapes she plans to play at the exhibit. The tapes depict Shvarts — sometimes naked, sometimes clothed — alone in a shower stall bleeding into a cup.

Source.

“For the past year, I performed repeated self-induced miscarriages. I created a group of fabricators from volunteers who submitted to periodic STD screenings and agreed to their complete and permanent anonymity. From the 9th to the 15th day of my menstrual cycle, the fabricators would provide me with sperm samples, which I used to privately self-inseminate. Using a needleless syringe, I would inject the sperm near my cervix within 30 minutes of its collection, so as to insure the possibility of fertilization. On the 28th day of my cycle, I would ingest an abortifacient, after which I would experience cramps and heavy bleeding.

To protect myself and others, only I know the number of fabricators who participated, the frequency and accuracy with which I inseminated and the specific abortifacient I used. Because of these measures of privacy, the piece exists only in its telling. This telling can take textual, visual, spatial, temporal and performative forms — copies of copies of which there is no original.

This piece — in its textual and sculptural forms — is meant to call into question the relationship between form and function as they converge on the body. The artwork exists as the verbal narrative you see above, as an installation that will take place in Green Hall, as a time-based performance, as a independent concept, as a myth and as a public discourse.

It creates an ambiguity that isolates the locus of ontology to an act of readership. An intentional ambiguity pervades both the act and the objects I produced in relation to it. The performance exists only as I chose to represent it. For me, the most poignant aspect of this representation — the part most meaningful in terms of its political agenda (and, incidentally, the aspect that has not been discussed thus far) — is the impossibility of accurately identifying the resulting blood. Because the miscarriages coincide with the expected date of menstruation (the 28th day of my cycle), it remains ambiguous whether the there was ever a fertilized ovum or not. The reality of the pregnancy, both for myself and for the audience, is a matter of reading.

This ambivalence makes obvious how the act of identification or naming — the act of ascribing a word to something physical — is at its heart an ideological act, an act that literally has the power to construct bodies. In a sense, the act of conception occurs when the viewer assigns the term “miscarriage” or “period” to that blood.

In some sense, neither term is exactly accurate or inaccurate; the ambiguity is not merely a matter of context, but is embodied in the physicality of the object. This central ambiguity defies a clear definition of the act. The reality of miscarriage is very much a linguistic and political reality, an act of reading constructed by an act of naming — an authorial act.

It is the intention of this piece to destabilize the locus of that authorial act, and in doing so, reclaim it from the heteronormative structures that seek to naturalize it.

As an intervention into our normative understanding of “the real” and its accompanying politics of convention, this performance piece has numerous conceptual goals. The first is to assert that often, normative understandings of biological function are a mythology imposed on form. It is this mythology that creates the sexist, racist, ableist, nationalist and homophobic perspective, distinguishing what body parts are “meant” to do from their physical capability. The myth that a certain set of functions are “natural” (while all the other potential functions are “unnatural”) undermines that sense of capability, confining lifestyle choices to the bounds of normatively defined narratives.

Just as it is a myth that women are “meant” to be feminine and men masculine, that penises and vaginas are “meant” for penetrative heterosexual sex (or that mouths, anuses, breasts, feet or leather, silicone, vinyl, rubber, or metal implements are not “meant” for sex at all), it is a myth that ovaries and a uterus are “meant” to birth a child.

When considering my own bodily form, I recognize its potential as extending beyond its ability to participate in a normative function. While my organs are capable of engaging with the narrative of reproduction — the time-based linkage of discrete events from conception to birth — the realm of capability extends beyond the bounds of that specific narrative chain. These organs can do other things, can have other purposes, and it is the prerogative of every individual to acknowledge and explore this wide realm of capability.”

Source and source.

WAGNER’S RING CYCLE

Wagner’s RING CYCLE available to download here.

New Nationalist German Art

See it in this thread on Stormfront.

Foiled Again: The Defeat of the Latest Bush Administration Plan for New Nuclear Weapons

Advocates of a U.S. nuclear weapons buildup received a significant setback on December 16, when Congressional negotiators agreed on an omnibus spending bill that omitted funding for development of a new nuclear weapon championed by the Bush administration: the Reliable Replacement Warhead (RRW). Coming on the heels of Congressional action in recent years that stymied administration schemes for the nuclear “bunker buster” and the “mini-nuke,” it was the third – and perhaps final – defeat of George W. Bush and his hawkish allies in their attempt to upgrade the U.S. nuclear weapons arsenal.

Angela Wiedl - Johann Jodler

De Zaumgwürfeltn - Ja weil du so schön tanzen kannst

L’âge de la vérité: à la défense de Denys Arcand

Des exemples? Il y a quelques mois, le Conseil du statut de la femme formulait la recommandation que la Charte dite des « droits et libertés » soit amendée pour faire primer « l’égalité entre les hommes et les femmes » sur la liberté de religion, annonçant ainsi une formidable régression en matière de libertés civiles. Deux semaines plus tard, le premier ministre s’engageait à déposer un projet de loi en ce sens. Le 19 novembre dernier, tous les partis de l’Assemblée nationale (y compris l’ADQ), accompagnés d’idéologues radicaux de la Coalition gaie et lesbienne, se disaient en faveur d’une « politique contre l’homophobie ». Ce qui veut dire qu’il ne sera bientôt plus permis par la loi d’émettre une critique dans la sphère publique (et, de plus en plus, dans la sphère privée) sur les desseins pervers de l’homosexualité militante, notamment à travers des festivals obscènes comme Divers/Cité, pourtant financés avec l’argent des contribuables. Cette année, le « Ministère de la Culture » devenait aussi celui de « la Condition féminine », institutionnalisant dans l’indifférence générale un amalgame complètement cinglé entre « culture » et « idéologie ». Ah! j’oubliais : il y aussi le tabagisme. Et l’automobile. Et la malbouffe dans les écoles, proscrite par notre bonne fée Michèle Courchesne. Le premier ministre a même promis, en septembre dernier, de modifier les règlements sur le zonage pour aider notre bonne fée à appliquer son programme de rééducation intégrale. Tout cela alors qu’on annonce des investissements publics sans précédent pour des « installations festives permanentes » au centre-ville, capables d’abrutir sans distinction de race ni de sexe les prochaines générations de Québécois. C’est ça le Québec de 2007. Le Québec réel. Un État monstrueux régnant sur un micro-pays sans défense et sans culture.

‘Nazi’ association found at new art museum

NOT POLITICALLY CORRECT.

‘Nazi’ association found at new art museum.

Morrissey ‘refuses to live in the UK because of immigration explosion’

By JAMES SLACK -
The pop singer Morrissey claims he can no longer live in a Britain he believes lost to an “immigration explosion”.
Continue reading Morrissey ‘refuses to live in the UK because of immigration explosion’…

Richard Wagner [if you’re Aryan, you’re under an obligation to love Him]

Wagner’s Wotan, indeed the whole of Der Ring des Nibelungen, makes us feel the passage of time. We start out as gods, but we end as mortals…

Lakota cancels play after violent, criminal, lazy, low I.Q. subsubhumans protest [cultural philistinism triumphs]

You can have culture, civilization, and the arts or you can have nigger-animals. It’s your choice, White man. Watch those scared White officials fold like a cheap tent. Disgusting.

LIBERTY TWP. - A widely performed school play has been canceled by Lakota officials after a recent meeting with a local NAACP official.

Epic “Beowulf” gets high-tech, Hollywood makeover

I might check it out.

LOS ANGELES (Reuters) - Dusty Old English poem “Beowulf,” long required reading in schools, goes Hollywood this coming Friday in a bit of high-tech animated movie trickery that its makers are loath to call “animation.”

Brain Activity Differs For Creative And Noncreative Thinkers

ScienceDaily (Oct. 29, 2007) — Why do some people solve problems more creatively than others? Are people who think creatively different from those who tend to think in a more methodical fashion?

Mishima

My interest in Mishima is mainly from his interpretation of the Hagakure.

His version of this classic had a profound effect on me as it echoes the Noble values of Nietzsche. It is a most important text, therefore.

I admire the way that he also put this Samurai philosophy into practice with his body culture and seppuku.

Of course, his political Weltanschauung was essentially National Socialist, which is another reason to rate him highly. Here is a piece on him from the Oswald Mosley web-site.

Ashley MacIsaac - Sleepy Maggie [the lyrics are in Scottish Gaelic]

‘Corrie’ canceled in Canada

Play has potential to offend Jewish community.